Repertoire
| Barber | A Nun takes the Veil |
| Hermit Songs | |
| The Daisies | |
| With rue my heart is laden | |
| Berlioz | Les Nuits d’Été* |
| Brahms | An die Nachtigall |
| Fünf Ophelia-Lieder | |
| Immer leiser wird mein Schlummer | |
| Klage I | |
| Klage II | |
| Liebestreu | |
| Meine Liebe ist grün | |
| Minnelied | |
| O kühler Wald | |
| Sapphische Ode | |
| Sonntag | |
| Ständchen | |
| Vergebliches Ständchen | |
| Wie Melodien zieht es | |
| Wiegenlied | |
| Bridge | Go not, happy day |
| Britten | A Charm of Lullabies |
| Fancie | |
| Large selection of folk songs (English, Irish, Scottish, Welsh, French) |
|
| The Red Cockatoo and other songs | |
| Copland | The world feels dusty |
| Debussy | En sourdine |
| Trois chansons de Bilitis | |
| Trois chansons de France | |
| Dove | My Love is Mine |
| Dowland | Flow my tears |
| Duparc | Chanson Triste |
| Extase | |
| La Vie antérieure | |
| Le Manoir de Rosamonde | |
| L’invitation au Voyage | |
| Soupir | |
| Dvorak | Biblical Songs (in Czech) |
| Elgar | There are seven that pull the thread |
| Fauré | Après un rêve |
| Au bord de l’eau | |
| Aurore | |
| Chanson | |
| Chanson d’amour | |
| En prière | |
| En sourdine | |
| Ice-bas! | |
| Les berceaux | |
| Madrigal | |
| Mandoline | |
| Notre amour | |
| Prison | |
| Soir | |
| Finzi | Let us garlands bring |
| Grieg | Ich liebe dich |
| Sechs Lieder, Op. 48 | |
| Gurney | All night under the moon |
| By a Bierside | |
| Everyone Sang | |
| Ha’nacker Mill | |
| In Flanders | |
| Is my team ploughing | |
| Lights Out | |
| On Wenlock Edge | |
| Scents | |
| The Far Country | |
| Harty | My Lagan Love |
| Haydn | Arianna a Naxos |
| She never told her love | |
| Howells | King David |
| Humfrey | A Hymne to God the Father |
| Ireland | Spring Sorrow |
| The Three Ravens | |
| When I am dead, my dearest | |
| Lully | Ah! faut-il me venger |
| Amour, vois quels maux tu nous fais | |
| Bois épais | |
| Je languis nuit et jour | |
| MacMillan | Ballad |
| G. Mahler | Das irdische Leben |
| Des Antonius von Padua Fischpredigt | |
| Rheinlegendchen | |
| Urlicht | |
| Wer hat dies Liedlein erdacht? | |
| Colin Matthews | Un colloque sentimental* |
| Mozart | Abendempfindung an Laura |
| Oiseaux, si tous les ans | |
| Pergolesi | Se tu m’ami |
| Poulenc | Fancie |
| Le Bestiaire ou Cortège d’Orphée | |
| Quatre chansons pour Enfants | |
| Toréador | |
| Purcell | Ah! how sweet it is to love |
| An Evening Hymn | |
| Bess of Bedlam | |
| Crown the altar | |
| If music be the food of love (first and third versions) | |
| Man is for the woman made | |
| Music for a while | |
| Not all my torments | |
| Since from my dear | |
| Sweeter than roses | |
| The fatal hour comes on | |
| ‘Twas within a furlong of Edinburgh town | |
| Quilter | Dream Valley |
| Love’s Philosophy | |
| Music, when soft voices die | |
| Now sleeps the crimson petal | |
| Respighi | Il Tramonto |
| Rodrigo | Cuatro Madrigrales Amatorios |
| Graham Ross | Tread softly |
| Scelsi | Sauh 1 (duet with soprano) |
| Schubert | Am Bach im Frühling |
| An die Musik | |
| An Silvia | |
| Auf dem Wasser zu singen | |
| Die Forelle | |
| Du bist die Ruh | |
| Ellen’s dritter Gesang | |
| Frühlingsglaube | |
| Gretchen am Spinnrade | |
| Heidenröslein | |
| Heiß mich nicht reden | |
| Kennst du das Land? | |
| Lachen und Weinen | |
| Nur, wer die Sehnsucht kennt | |
| So lasst mich scheinen | |
| Wanderers Nachtlied | |
| R. Schumann | Frauenliebe und Leben |
| Liederkreis Op. 39 | |
| Sibelius | Den första kyssen |
| Flickan kom ifrån sin älsklings möte | |
| Till kvällen | |
| Våren flyktar hastigt | |
| Tippett | Songs for Ariel |
| Vaughan Williams | Silent Noon |
| The New Ghost | |
| Warlock | As ever I saw |
| Bethlehem Down | |
| Late Summer | |
| Lullaby | |
| Sleep | |
| Take, o take those lips away | |
| The bayly berith the bell away | |
| The Droll Lover | |
| Youth | |
| Wolf | Abschied |
| Anakraeons Grab | |
| Auf ein altes Bild | |
| Auf einer Wanderung | |
| Begegnung | |
| Das verlassene Mägdlein | |
| Fussreise | |
| Heimweh | |
| Im Frühling | |
| In den Schatten meiner Locken | |
| Schlafendes Jesuskind | |
| Um Mitternacht | |
| Verborgenheit |
* denotes extracts or works in preparation
My kind of mezzo: on the deeper side, with sumptuous dark velvet on the low notes and plenty of colour.
Handel House Talent launch concert, October 2015, reviewed on The Idle Woman
